My review of Eric Raglin’s debut story collection, Nightmare Yearnings is now live at Cyn’s Workshop!
My review of Brian Evenson’s new collection The Glassy, Burning Floor of Hell is live at Cyn’s Workshop! Read it here!
My review of Jaguar’s Tomb by Angélica Gorodischer is live at Cyn’s Workshop! Check it out!
My first article for Dread Central since 2016 is now live. You can read it here!
My review of The Taxidermist’s Lover is live at Cyn’s Workshop!
My short story “Correspondence Log” is live at Daikaijuzine! Read it here!
My review of Fernanda García Lao’s Out of the Cage is live at Cyn’s Workshop!
Both Cannibal Holocaust and The Blair Witch Project claimed to be “found” footage, which led to a murder trial for the former and box office success for the latter. Auteur Jordan Graham’s first feature, Sator, is a variation on that theme. In his director’s statement, Graham says, “Also very real in this film, despite its fictional premise, is my grandmother relating her unique and hauntingly personal experiences.” Meaning Sator mixes Graham’s family videos into a supernatural horror film.
Not knowing where the fiction starts and where the fact ends make for a fascinating viewing experience. As a recording of his Grandma says, “If you summon Sator, he will turn his attention toward you… he will make you pure” over the radio, viewers will wonder if it’s a real or scripted recording. Graham’s Nani (June Peterson) plays herself, and it’s never clear when she’s acting, if ever, and when she’s being filmed out of character. It’s not clear if there is a character at all. That ambiguity had will have viewers rapt, trying to spot the seams between reality and fiction.
Continue reading at Wicked Horror!
My review of Blood Like Garnets is live at Cyn’s Workshop!