True crime succeeds or fails based on how well it avoids exploiting the real life murders it portrays. The best true crime tends to empathize with the victims or the investigators, while analyzing the killer with a sort of detachment. The killer is, and always will be, the most engrossing part because readers/listeners/viewers want to know what went wrong. The audience is asking primordial questions: How do I spot that kind of person? How do I make sure I’m not next? There needs to be a balance between the victims, the killers, and the investigators, which is where The Butcher of Paris #3 “Law of the Jungle” falls short.
The third installment of the Dark Horse comic series focuses on the same two major plotlines the series has been focusing on: the father and son investigation team and the Nazi investigation. The two are at odds, with the window to catch Petiot quickly closing as Allied Forces creep closer to Paris.
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